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A Suffolk Lane

~ A diary of my life in rural north Suffolk.

A Suffolk Lane

Category Archives: Arts and Crafts

Flatford Mill

23 Tue Feb 2021

Posted by Clare Pooley in Arts and Crafts, Days out, Historic Buildings, Rural Diary

≈ 112 Comments

Tags

Constable, Dedham, Dedham Vale, Flatford, Flatford Mill, John Constable, lock, mill, National Trust, River Stour, Suffolk, the Hay Wain, water meadows, Willy Lott's House

My birthday falls at the beginning of September but last autumn, as we were very busy during that week we decided to put off any celebration or outing until later.  A whole month later we found we had the time, and the weather had improved enough for a trip to Flatford Mill in the Dedham Vale.

Flatford Mill is owned by the National Trust and looking at their website we saw that we need not book a slot to visit but, as parking space is limited we thought we would set off fairly early.  The weather forecast was for rain in the afternoon but the morning was glorious with plenty of sunshine.

We live in North Suffolk in the Waveney Valley and Flatford Mill is in the south of the county on the River Stour near the border with the county of Essex.   If you click on the link just below you will see a map of Suffolk.  Near the top of the map to the right of centre are the towns of Bungay, Halesworth and Harleston.  We live in-between and almost equi-distant from those three towns.  At the bottom of the map in the centre you will see the town of Sudbury and to the right of that is Dedham Vale.

https://images.app.goo.gl/fqi1Da7AAMkpD9GY8

Many of you will recognise the name of the place we visited for my birthday treat.  Some of you may have been there already.  Flatford Mill was owned by the painter John Constable’s father and John was born in East Bergholt, a village on the River Stour.  It is a short walk down a fairly steep winding, wooded lane from the village to the mill.

We wandered round the outside of the mill and over the bridge to the other side of the river.

The River Stour

Buildings near to the Mill, seen from the bridge. The building on the right of the photo with the flat roof is the café owned by the National Trust where we had a sandwich lunch.

Bridge Cottage

The attractive flowerbed next to the cottage

Bridge Cottage seen from the other side of the river

We found the lock which has recently been restored.

We also found the rear of the mill buildings and the mill pool.

The Stour is a lovely river.

We re-crossed the bridge and walked back down towards the mill, admiring the brick and timber buildings.

After our lunch we sat outside the mill in the sunshine.

This is the corner of the mill building, seen from our bench. I doubt whether the wall was there in John Constable’s time.

It was satisfying to sit looking at a view that Constable looked at every day when he lived in that building and had also included in many of his paintings such as The Mill                      Stream, The Hay Wain and The White Horse.

Beautiful effect of sunlight filtering through the trees.

Above are three slightly different views of Willy Lott’s House as seen from outside the mill.  We then walked down the lane towards the house to get a closer view.

Willy Lott's House
Willy Lott’s House
Willy Lott's House
Willy Lott’s House
Willy Lott's House
Willy Lott’s House

Just look at these glorious roof tiles!

An overgrown withy fence round an allotment with views of the countryside beyond
An overgrown withy fence round an allotment with views of the countryside beyond
Forget-me-nots among the nettles
Forget-me-nots among the nettles
Lush growth next to the river
Lush growth next to the river

We then thought we would walk across the water meadows to Dedham which is just into Essex.  Dedham was also painted by Constable and we could see the church tower in the distance.  I have seen this same church tower every time I have travelled down the A12 on my way to London.

As you can see from the sky in these photos, it was looking more and more like rain so we reluctantly turned round and made our way back to Flatford.  The water meadows were more water than meadow, thanks to the very wet weather we had had during September and we would have had great difficulty getting to Dedham dryshod.  The last two photos above show Dedham church tower.

Jolly ducks on the water.

We had a last look at the Stour and then went home in the rain.

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An Update

29 Sat Feb 2020

Posted by Clare Pooley in Arts and Crafts, family, Rural Diary, weather

≈ 52 Comments

Tags

erosion, Humphries Weaving, Kent Ambulance Service, news, Suffolk, The Easternmost House

This will be a strange post with links and no photographs.  I have accumulated a collection of links and titbits of news and thought I would share a few of them with you.

Well over a year ago I wrote a post that included, among many other things, some news about my niece, Natalie.  Natalie works for a firm of specialist silk weavers in Sudbury, Suffolk and she does some extremely interesting work and has a few very important clients indeed.  My brother shared a link on Facebook yesterday and I thought you might be interested in some more details of Natalie’s work.

125 years of the National Trust; Heritage Fabrics

ooooOOoooo

In January this year Richard and I took a walk and I posted about it.  In the post I mentioned a book called ‘The Easternmost House’ written by Juliet Blaxland.  The book tells of the trials and tribulations of living in a house on the edge of a cliff; among many other things.

Here is a further installment.

ooooOOoooo

My sister, Francesca is the Operations Manager for the Kent Ambulance Service and works very hard caring for her team of skilled paramedics and for the patients in their charge.  At present, testing for Covid-19 Corona Virus is an added pressure on an already over-stretched and under-paid profession.  Here is a short film about one of the call-outs her team had to deal with recently where a man went into cardiac arrest and was given 21 shocks and then clot-busting medication.

There you are!  A couple of good news items with a bad one sandwiched in the middle.

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2017 Revisited

12 Thu Apr 2018

Posted by Clare Pooley in Arts and Crafts, churches, Rural Diary

≈ 90 Comments

Tags

Bungay, Churches Conservation Trust, gargoyles, grotesques, H Rider Haggard, John Barber Scott, Priory Church of Saint Mary, Suffolk

As I mentioned in a previous post, I am writing a series of posts about a few places I visited last year but hadn’t the time then, to feature in my blog.

ooooOOoooo

The Priory Church of Saint Mary, Bungay, Suffolk

Last spring I went to see an exhibition of ancient and modern needlework and textiles at St. Mary’s Priory Church in Bungay.  The exhibition was called ‘A Stitch in Time’ and the leaflet I was given as I entered the church stated that it “… offer(ed) the visitor the opportunity to explore Bungay through the textiles that have been left as legacies of its past and … (admire) textiles that, it is hoped, will become heirlooms for future generations”.

Star of Bethlehem
Star of Bethlehem
Star of Bethlehem
Star of Bethlehem

Star of Bethlehem (Ornithogalum umbellatum) were in flower in the churchyard.

I enjoyed the exhibition exceedingly but photography was not allowed because many of the exhibits were extremely old and precious and all were unique and beautiful.  I spent some time admiring the needlework and also watching as some of the members of the ‘Sew on Sunday’ group worked on their current projects.

St. Mary’s Church tower

St. Mary’s Church began its life as part of a Benedictine Priory, its Parochial Nave, which was founded in the 12th century (about 1160) byGundreda wife of Roger de Glanville.  The nuns who resided in the priory were skilled needlewomen and made beautifully embroidered wall-hangings, altar cloths and other textiles used in church and chapel.  They probably also made embroidered vestments for the clergy.   The leaflet told me that after the Reformation in 1536 the Priory was closed and according to the parish accounts and local wills, “some of the church embroideries and vestments were cut up and made into elaborate theatrical costumes for the plays forming part of the annual Ale-Games in the churchyards during the Whitsun period!”  Don’t ask me about Ale-Games, because I can’t tell you a thing about them!  On display were some exquisite vestments and other church textiles.  Local churches, the Community of All Hallows and the Museum in Bungay had contributed some items for display, as had a number of local people.

St. Mary’s Church, built in the 15th century

Also on display were some needlework samplers dating from  the late 17th century.  These were made by the female ancestors of John Barber Scott (1792 – 1862) who was a wealthy local gentleman, diarist, philanthropist and Town Reeve.

I particularly enjoyed the display of work by the All Hallows Embroidery School which used to be part of the Community of All Hallows in Ditchingham.

The Barber Scott memorials and grave stones in the churchyard

I returned to the church a week later once the exhibition had finished, and took some more photographs of the church, inside and out.  This church is now redundant and is cared for by the Churches Conservation Trust.

Carving over north door.  A knight and a lion.

Carving over north door.  A lion and a mouse.  There is also a man’s head to the right of the lion.

An arch-stop with oak leaves and acorns

The north wall of the church.

I enjoy looking out for grotesques and gargoyles on churches.

Dog grotesque on north side of the church
Dog grotesque on north side of the church
What looks like a pig with a crown and long hair on north side of the church
What looks like a pig with a crown and long hair on north side of the church
Man with a toothache on north side of the church
Man with a toothache on north side of the church
Grotesque on north side of the church
Grotesque on north side of the church

These are the ruins of the 13th and 14th century priory buildings at the east end of the church

Priory ruins

Priory ruins

Churchyard with the Barber Scott graves in the middle distance

Look at the beautiful open-work cresting on the top of the north aisle! What skilled masons they were to have carved this!

I love this tiny figure of a knock-kneed kneeling knight in armour!

These niches on the buttresses would have contained figures of saints which were probably destroyed when the priory was dissolved.

More grotesque faces!

A chained begging monkey

A hound with folded paws

I’m not sure what this creature is!

I like the pinnacles on top of the tower. More fine carving here too.

Carving and flushwork on the West Front

Note the crowned ‘M’s above the West window.  The emblem incorporates all the letters of the name ‘Maria’.

Opposite the West Door is this stone known as ‘The Druid’s Stone’ which has probably been there since the Ice Age.

The inside of the church is less interesting than the outside.  Damage was done to the church in the Bungay Great Fire of 1688 when most of the roof timbers were destroyed and again during the Second World War when most of the glass was lost.

This slideshow requires JavaScript.

The slideshow above is of the windows and the stained glass in the church, most of which had to be replaced after the Second World War.

The High Altar

Some of the modern needlework that adorns the church

Carved ivy

One of the bosses in the roof. I apologise for it being out of focus.

Some of the original 15th century woodwork was saved.  I have no idea if this might be one of the older carvings.  Most of the roof dates from the restoration after the fire which was completed in 1699.

Another blurred boss

The font is 18th century and decorated with cherubs and roses.

Behind and to the right of the font is a stone bowl thought to be part of a Saxon or Norman font which was found near the Staithe in the town.

This is a dole cupboard where bread and other scraps of food were placed for the poor to collect.

The cupboard was restored in the 19th century but it is dated 1675.  Or, it may be a fake and made in the 19th century.  Who knows!  There is a rebus on the lower front of the cupboard; a large Q with a rat inside it (Curate) and his initials.  There are also mitred bishops being pulled downwards by hands.  Hmmm!  Bishops can’t have been rated very highly here!

I like the studded door.

The studded panels came from a 16th century house in the town.

The War Memorial Chapel in the church has this 17th century Flemish carving of the Resurrection as the central panel of the reredos.  

This beautiful carving was the gift of Sir H Rider Haggard  of ‘King Solomon’s Mines’ and ‘She’ fame, who lived in Ditchingham House nearby.

Thank you very much for taking the time to read this long post!

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I talk about what it's like living in a quiet part of Suffolk. I am a wife, mother and daughter, a practising Christian and love the natural world that surrounds me. I enjoy my life - most of the time!

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